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Known in the United States primarily as the conductor of a surefire recording of Orff’s Carmina Burana, Herbert Kegel was respected in Europe as a pivotal figure in establishing the works of such individual Modernists as Blacher, Dallapiccola, Dessau, Penderecki, and Nono in the concert hall and on discs.

Schumann once posed the question wither sonata form after Beethoven? The older master’s innovations in his late sonatas, quartets, and symphonies had redefined the sonata, taking it to its apogee as a form but also, Schumann feared, to a point of no return.